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Author Topic: A COARSE ACTOR'S GUIDE TO PERFORMANCE  (Read 3237 times)
Rik Deskin
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« on: March 22, 2005, 04:04:03 PM »

This just came across The Actors List:

A COARSE ACTOR'S GUIDE TO PERFORMANCE


Hold for all laughs -- real, expected, or imagined!  If you don't get
one, face front and repeat the line louder.  Failing this, laugh at it
yourself.

Cultivate an attitude of hostility. Tension gets results -- on stage and
off.

A good performance, like concrete, should be molded quickly and then
forever set.

Your first responsibility as an actor is to find your light.

Do not listen to your fellow actors on stage. It will only throw you. Do
not look at them either -- you may not like what you see.

Always be specific -- point to what you're talking about.

If a line isn't working for you, change it.

Stage Managers are NOT actors -- ignore them. Keep them alert by never
arriving on time or signing in.

Never be afraid to ad-lib to get attention, especially if you feel the
leads aren't very entertaining.

Mistakes are never your fault.

Always find something to bitch about, no matter how small or seemingly
insignificant. Your fellow actors will respect your professional
attention to detail.

Never carry make-up -- someone will have what you need.

Never help understudies. (They secretly hate you and want your job)

Do help your fellow actors by giving them notes whenever you feel
necessary.   And give the notes immediately before they go on -- it will
be fresher that way.

Speak your lines as if the audience had difficulty understanding the
language.

Keep other performers on their toes by ridiculing their performances,
and never let them know what you're going to do next.

Play the reality -- always be aware of the audience and whether you
think they like the show, then gauge your performance accordingly. Why
knock yourself out for ungrateful snobs?

The only difference between an amateur and a pro is that the pro does
exactly the same thing for money.

Need a character?  Get a costume.

Never change anything that is working, no matter how wrong or phony it
may seem.

When in doubt about an ad-lib, go "whoo"!

Go up on a line?  Clap twice, look at the audience, and giggle.

Even if a piece of "schtick" doesn't work, keep using it.  The important
thing is for you to have fun and feel good about yourself.

breaksillybonesbill
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Rik Deskin
Actor
SAG-AFTRA, AEA
SAG-AFTRA Seattle Board of Directors
http://www.sagaftra.org/iactor/RikDeskin
http://talent.tpsonline.org/?M=350

Artistic Director
Eclectic Theater
www.eclectictheatercompany.org
Chad Jennings
Lead
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« Reply #1 on: March 22, 2005, 05:20:34 PM »

An oldie but a goodie
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