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 91 
 on: August 12, 2016, 12:50:31 PM 
Started by Josh Krupke - Last post by Josh Krupke
SPECIAL DEAL

$20 RUSH tickets available to Saturday's matinee of Big Fish‬!

On sale starting at noon on Saturday, August 13 for Level C seats,
Only available at the Box Office at 204 N 85th St.

Big Fish at Taproot Theatre must close Saturday!

Every man wants to be a hero to his son.
Edward’s never been much of a dad, but his tall tales of mermaids and giants may make his son a better man. Let yourself get reeled in by this adventurous and romantic musical based on the beloved novel and the award-winning film.

 92 
 on: August 11, 2016, 12:31:50 PM 
Started by John C. Davenport - Last post by John C. Davenport
UPDATED WITH STIPEND: Set designer/builder needed for "Red Rover," a two-act play by John C. Davenport having its West Coast premiere Oct. 6-16 at Slate (formerly Satori) in Sodo. The centerpiece of the set will be a representation of a car, which will be center stage for most of the play before being moved off near the end. There is a $400 stipend plus a budget for construction. Would need to be built offsite and moved in or assembled onsite three days before opening. Whatever shape it takes, the car must be able to accommodate the play's cast of four. Please send a resume and work samples to redrovertheatre@gmail.com

 93 
 on: August 11, 2016, 10:41:07 AM 
Started by Tom Wiseley - Last post by Tom Wiseley
Premiere of DUELS by Nick Stokes, directed by Jose Amador

The Studio at 12th Ave Arts

Tech begins this Sunday, 8/14 all day into the evening, Previews Thursday 8/18, Opens Friday 8/19.
Runs August 18th to September 10th, 2016.
Thursdays, Fridays & Saturdays 8:00pm.
Industry Performance: Sunday, August 28th 8:00pm.
Closes Saturday 9/10.
Strikes Sunday 9/11.

$100 Stipend for the whole schedule but we'll gladly adjust/work around conflicts.

Contact Tom Wiseley
tomwiseley@gmail.com

 94 
 on: August 11, 2016, 10:40:13 AM 
Started by Tom Wiseley - Last post by Tom Wiseley
Premiere of DUELS by Nick Stokes, directed by Jose Amador

The Studio at 12th Ave Arts

Tech begins this Sunday, 8/14 all day into the evening, Previews Thursday 8/18, Opens Friday 8/19.
Runs August 18th to September 10th, 2016.
Thursdays, Fridays & Saturdays 8:00pm.
Industry Performance: Sunday, August 28th 8:00pm.
Closes Saturday 9/10.
Strikes Sunday 9/11.

$300 Stipend for the whole schedule but we'll gladly adjust/work around conflicts.

Contact Tom Wiseley
tomwiseley@gmail.com

 95 
 on: August 02, 2016, 01:01:14 PM 
Started by Abigail Pishaw - Last post by Abigail Pishaw
Taproot Theatre Company is currently seeking a Stage Manager for our Christmas Mainstage show, The Trial of Ebeneezer Scrooge.  The date range for rehearsals and performances is October 17 – December 31 (you will have Thanksgiving, Christmas Eve, and Christmas Day off).  A detailed schedule can be made available upon request.   We are a non-union theatre with competitive wages. Please email a resume with references to Abigail Pishaw at abigailp@taproottheatre.org.

 96 
 on: August 02, 2016, 12:42:47 PM 
Started by Abigail Pishaw - Last post by Abigail Pishaw
Taproot Theatre is looking for experienced Cutter/Draper-First Hands for its 2017 season.  We are a non-union theatre with competitive wages. Our mainstage season consists of 6 shows with 3-5 week builds, 35-40 hours per week.  Shop hours are generally Monday-Friday, 9:30-5:00 unless there are fittings. 2 years of working in a professional theatre setting is required.  Please send resume and references to Sarah Gordon at sarahg@taproottheatre.org or attn.:  Sarah Gordon, Taproot Theatre Company, PO Box 30946, Seattle WA 98113

Taproot Theatre is looking for experienced stitchers for its 2017 season.  We are a non-union theatre with competitive wages. Our mainstage season consists of 6 shows with 3-5 week builds, 35-40 hours per week.  Shop hours are generally Monday-Friday, 9:30-5:00 unless there are fittings. 2 years of working in a professional theatre setting is required.  Please send resume and references to Sarah Gordon at sarahg@taproottheatre.org or attn.:  Sarah Gordon, Taproot Theatre Company, PO Box 30946, Seattle WA 98113

 97 
 on: July 28, 2016, 01:41:27 PM 
Started by Jon Douglas Rake - Last post by Jon Douglas Rake
Tacoma Musical Playhouse, the Northwest largest theater company, is looking for an Education Director. Please see attached file for job description.  Please send Letter of Interest, Resume and Salary requirements to playattmp@hotmail.com

 98 
 on: July 28, 2016, 12:48:41 PM 
Started by Stan Shields - Last post by Stan Shields
      Intiman seeks a Child Wrangler to be responsible for the safety and engagement of two girl actors ages 10 & 11 in our production of Wedding Band.  Women only are eligible to apply for this position.  This position requires that the children are never left alone while on site, are kept engaged in the production, and, when off stage, are engaged in appropriate, non-intrusive activities.
      [/i]
      Title: Female Child Wrangler
         
      Classification: Part-time Seasonal Contract

      Term:    August 9 - October  9, 2016

      Hours: Ranges from 16 hrs/wk to a 40 hrs/wk peak during tech week and previews (August 31 - September 11, 2016)

      Location: Rehearsals at Hutchinson Hall on the University of Washington campus, and
               Performances at the Floyd and Delores Jones Playhouse, 4045 University Way NE
         
      Status:   OPEN

      Pay:   $13-15/hour, DOE   

      Intiman Theatre’s mission is to produce theatre that is relevant to our time and as diverse as the community in which we live.
      Duties and Responsibilities:

      Responsible for the safety and well-being of two child actors while on premise.
      Develop and maintain a friendly, supportive and professional relationship with the children
      Be aware of and manage any health issues as communicated by the parents, i.e. special diets, medicine, etc.
      Accompany the young performers wherever they go when on the premises from when they arrive until they leave with an approved adult.
      Help clarify for the young performer the production’s expectations for their behaviour and performance
      Maintain communications with the parents on how they can support their child’s successful performance
      When off-stage ensure the children are appropriately entertained while maintaining awareness for cues and announcements
      Maintain focus on what is important for the smooth running of the show as it pertains to the young performers needs
      Be familiar with the emergency evacuation procedures and, if necessary, ensure the safe evacuation of the young performers from the building [/li][/list]

      Education/Skills Required:

      Experience working with elementary age children
      Enjoyment working with elementary children
      General understanding of theater, experience working in theatre a plus
      Responsible and capable of administering to the health needs of children if necessary
      Good communication skills, a creative sense of play a plus[/li][/list]

      Special Requirements/Knowledge:

      Must pass a background check
      High level of integrity

      Expectations:

      All of us work to execute Intiman’s mission: “produce theatre that is relevant to our time and as diverse as the community in which we live.”
      An entrepreneurial spirit, willing to collaborate with our small, close-knit team to create innovative plans, and pivot as needed to achieve our goals.
      Evening and weekend hours sometimes required
      Open, honest communication; communicate issues before they become problems.
      Sense of humor required, love for chocolate preferred.

      To apply, please submit a cover letter, a resume, and three references to Stan Shields, Operations Manager, at stan at intiman.org.

      Intiman Theatre believes that all people, their culture, and their art contribute to the meaning and understanding of our humanity and should be honored and celebrated. Individuals of all cultural backgrounds and abilities are welcome and encouraged to apply for all positions.

       99 
       on: July 27, 2016, 12:27:14 PM 
      Started by Rik Deskin - Last post by Rik Deskin
      Do you need a little polishing for that upcoming audition?

      Has someone taken a look at your head-shot and resume to make sure it's industry standard?

      Do you have a concise audition slate?

      Have you picked the right monologues?

      Need help with a cold-read?

      Do you have questions about the "business" of show?

      Well step right up friends and spend an hour with me to help you confidently nail your audition! I want you to ace any audition coming up! I've audited a good number of actors over the years and I know what works and what doesn't.

      The Audition Clinic is a free-form drop in situation. Perfect for actors that cannot commit to more than an hour or afford one of the great classes at Freehold Theatre. Bring your audition monologues and your head-shot and resume and be prepared to work or to watch and learn from your fellow actors. Only $20! ($15 if you just want to audit). But you must RSVP at rikdeskin@gmail.com. You can pay with a credit card in advance or at the door with card or cash.

      When: Sunday, July 31 at Noon.

      Location is at Eclectic Theater.

      About Me:
      Rik Deskin is an Actor, Stage Manager, Producer & Director. He is the Founding Artistic Director of Eclectic Theater. He has worked as an actor on the stages of ACT, Seattle Repertory Theater, Boom Chicago, ET, ArtsWest, Theater Schmeater, Renton Civic Theatre, Open Door Theatre, Debut Theatre, CenterStage, Stepping Stone Productions and Windowlight Productions. He has toured with the National Theater for Children and Children's Theatre of Houston. As a Stage Manager, Rik has worked with Book-It Repertory Theatre, Tacoma Actors Guild, On The Boards, Thalia's Umbrella, Repertory Collective, Upstart Crow and ET. Some of Rik's filmwork include the feature film: The Standard and in the short films Protecting The Family, Asylum, and Beautiful Oblivion. He has done various Corporate-Educational projects for Microsoft as well as Commercials. He is a member of SAG-AFTRA (current President for the Seattle Local), and Actors' Equity Association. Rik is a graduate of Cornish College of the Arts and holds a BFA in Acting. Rik is a member of the Sandbox Artists Collective at Freehold Theatre Lab.

      Private coaching available for $40/hour.

       100 
       on: July 27, 2016, 11:18:18 AM 
      Started by Jason Sharp - Last post by Jason Sharp
      Box Office Supervisor

      Department:   Cornish Playhouse
      Reports To:     Playhouse Manager
      Supervises:    Box Office Representatives & Work-Study Students
      Pay Grade:     Non-Exempt, Part-Time not to exceed 450 hours during the 2016-17 academic year between September 6th – May 13th 2017

      Purpose:   The Box Office Supervisor administers all aspects of event ticketing in addition to providing Work-Study students with practical front-of-house operational experience and ultimately fundraising for Cornish student scholarships and Advancement while delivering exceptional customer service to all internal and external patrons.

      Responsibilities include:

      1.   Inputting and managing all Cornish College of the Arts Brown Paper Tickets events
      2.   Inputting and managing tablet-based Square cash register for all ticketed events
      3.   Coordinating with the academic and administrative departments to ensure accuracy of all ticketed event information and optimal ticket sales
      4.   Working with the President, Provost, Admissions, and other offices to ensure all event comps are set up and managed
      5.   Staffing the Box Office for all ticketed Cornish events
      6.   Staffing and supervising secondary Box Office personnel as needed for various Cornish College of the Arts ticketed events
      7.   Monitoring and responding to voicemails/emails from patrons
      8.   Maintaining accurate financial records and regularly reporting on ticket sales for all Brown Paper Tickets Cornish College of the Art ticketed events
      9.   Preparing event deposits and ensuring event proceeds are deposited with Finance
      10.   Attending Cornish Playhouse staff meetings as requested
      11.   Ensuring ADA compliance regarding ticketing, seating and access

      Minimum Qualifications:

      High School Diploma or GED equivalent
      Familiarity with Brown Paper Tickets or equivalent ticket vending program
      Proven Customer service experience directly serving the public
      Demonstrated ability to promptly respond to telephone calls and emails from patrons
      Flexibility to work nights, weekends and holidays as needed
      Experience with PC and Mac and tablets or ipads; working knowledge of Microsoft Office, proficient in Excel and Google Apps
      Proven experience working with box offices or equivalent administrative work
      Exceptional interpersonal skills and ability to effectively communicate, both orally and in written form.
      Strong organizational skills; proven ability to effectively manage multiple priorities
      Must be able to provide your own transportation to and from performance venues located on campus and off campus, especially when managing several box offices operating concurrently.
      Must pass a criminal background check

      Preferred Qualifications:

      Associates of Arts Degree
      Experience working in the performing arts and/or higher education
      Demonstrated ability to work positively with professional production teams, theater staff and a diverse population of artists

      Application Procedures:

      For consideration please submit cover letter, resume, and completed Cornish Employment Application to hr@cornish.edu
      Incomplete applications will not be considered.

      Equal Opportunity Statement:

      Cornish College of the Arts is an equal opportunity employer intent on enriching the diversity of its faculty, staff, and students. Our goal is to create an intercultural learning environment comprised of people with varied experiences and perspectives. We strongly encourage applications from members of underrepresented groups for all open positions.

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