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 91 
 on: January 25, 2017, 06:51:53 PM 
Started by Hjalmer Anderson - Last post by Hjalmer Anderson
The Woodinville Repertory Theatre is seeking a Prop Master for our upcoming production of Larry Shue's The Nerd.

Here is the information:
 
Show Dates:
April 14, 15, 16, 21, 22, 23, 28, 29, 30.
Shows are 7:30 Curtain
Sunday’s are 2 PM Matinees
 
Rehearsals begin Feb 27 and run until April 13.  Monday – Thursday 7 PM working around any conflicts.
 
We have access to schools and other theatres in the area to borrow props from.  
 
There is a stipend for gathering props and running the props This work requires both responsibilities.
 
Having exhausted all of my contacts from previous shows I am reaching out help us get  this production on its feet.
 
Our web site: www.woodinvillerep.org :  If interested please email me at: hjalmeranderson@gmail.com
 
Best Regards,
 
Hjalmer Anderson
Artistic Director
Woodinville Repertory Theatre

 92 
 on: January 23, 2017, 03:18:53 PM 
Started by Victor Pappas - Last post by Victor Pappas
ACT Casting Director Margaret Layne and local theatre artist Victor Pappas will offer their class, "The Art Of the Audition" from Thursday February 9th through Thursday March 23rd (no class March 9). Complete information is attached.

 93 
 on: January 20, 2017, 04:56:15 PM 
Started by Kim Smith - Last post by Kim Smith
Edmonds Driftwood Players is looking for a costume designer for The Drowsy Chaperone which open April 28 and runs through May 14. The first production meeting has been held and our designer had to bow out for health reasons. Please send a resume to: md@edmondsdriftwoodplayers.org if interested.

Auditions for the cast will be held in February.

The costume budget is $1200 with a cleaning budget of $600.

Designer stipend is $50.00 to cover travel and expenses.

For more information about Edmonds Driftwood Players, please peruse our website at: www.edmondsdriftwoodplayers.org

 94 
 on: January 17, 2017, 01:26:12 PM 
Started by TPS Admin - Last post by TPS Admin
Tour Guides wanted for Seattle's #1 Land & Water Tour!
 
Are you looking for a great job?
 
Do you think that Seattle is the best city on earth and are proud to show it off?
 
Ride the Ducks of Seattle is hiring energetic, engaging, and outgoing personalities to lead tourists and locals alike on an educational, entertaining, fact-filled, and fun tour of our amazing city.
 
We're seeking candidates with big personalities - wallflowers need not apply!
 
Theatre experience or comfort speaking to large groups is a bonus, as our tour is interactive, and the ability to connect with a diverse audience is key!
 
Knowledge of Seattle and its history is also a plus, but not required, as all training is provided.
This position is safety-sensitive and requires a pre-employment drug test and continued enrollment in a random drug / alcohol testing program.
 
Full and part-time positions available. Ride the Ducks of Seattle is an EOE.

If this sounds like you, please email us a cover letter explaining why you're an excellent candidate for  Ride the Ducks and your resume to careers@ridetheducksofseattle.com. Subject: TOUR GUIDE

 95 
 on: January 17, 2017, 11:52:35 AM 
Started by Michelle Rodriguez - Last post by Michelle Rodriguez
GreenStage is currently looking to fill several technical jobs for our 2017 Shakespeare in the Park season.

This summer’s productions are
•   Comedy of Errors
•   Richard II
•   Backyard Bard – Midsummer Night's Dream and Hamlet

Positions currently open include:
 - Stage Manager – 1 per production
 
 - House Managers - 1 per production

 - Assist. Stage Managers – responsible for transporting equipment and other items as needed – 1 per production

 - Wardrobe Manager – assisting costume designers and managing laundering and repair of costumes for all productions

 - Tech Director/Designer – managing design and build of scenic elements (usually very minimal) and props.

Further descriptions of jobs posted at www.greenstage.org/jobs

To apply, please contact Production Manager Michelle Rodriguez at michelle@greenstage.org

All positions are paid a stipend at the end of summer.

 96 
 on: January 16, 2017, 06:56:11 PM 
Started by Chris Mayse - Last post by Chris Mayse
Seattle Musical Theatre, now in its 39th season of producing high-quality musical theatre, is in need of an Assistant Stage Manager for our upcoming production of LITTLE WOMEN: THE MUSICAL!

The production opens on February 17th and runs until March 12th. Rehearsals are currently on Monday-Thursday evening, as well as on Sunday afternoons. Performances are Friday and Saturday evenings @ 7:30pm, Sundays @ 2pm, as well as a special Thursday evening performance on 4/9 @ 7:30pm. This is a great opportunity for a seasoned artist, as well as someone who wants to learn more about production and be very hands-on in the process. SMT does offer an honorarium for this opportunity!

Please send your inquiries and resume to ad@seattlemusicaltheatre.org. Also, visit us on social media (i.e. Facebook, Twitter), as well as check out our website (www.seattlemusicaltheatre.org), for additional information and to find out more about all things SMT!

 97 
 on: January 12, 2017, 09:55:07 AM 
Started by Chris Mayse - Last post by Chris Mayse
Seattle Musical Theatre, now in its 39th season of producing high-quality musical theatre, is in need of a Master Electrician to assist us with our lighting design for our upcoming production of LITTLE WOMEN: THE MUSICAL.

This team member will work with our Lighting Designer to realize the concepts and practical aspects needed to light the show. The production opens on February 17th; with lighting calls beginning some time within the next few weeks. Scheduling allows for flexibility, as well as offering an honorarium for their support.

Please send your inquiries and resume to SMT's Production Manager, Michelle Ouhl, at production@seattlemusicaltheatre.org. Also, visit us on social media (i.e. Facebook, Twitter), as well as check out our website (www.seattlemusicaltheatre.org), for additional information and to find out more about all things SMT!

 98 
 on: January 09, 2017, 11:03:59 AM 
Started by TPS Admin - Last post by TPS Admin
TWO SEATTLE AUDITION WORKSHOPS January 14 & 15
with Atlantic Theater Co. director, teacher and author Karen Kohlhaas (bio below)
at Theatre Puget Sound

Saturday, January 14
MONOLOGUE MASTER CLASS
10am-5:30pm

Prepare for TPS and other monologue auditions with Karen's complete technique, used by actors and teachers all over the USA:
In this intensive one-day workshop you will learn to love monologues by learning to:

• DIRECT your monologues with clear staging that's fun to do and to watch
• ACT your monologues as truthfully with 'no one' as you can with a live partner, using Practical Aesthetics* acting technique
• AUDITION with great showmanship in your entrances, exits, and transitions

Actors will learn the entire technique by working on and finishing one monologue of your choice.
You will get feedback on monologue choices, and will do prep work from Karen's book in advance of the workshop.

Full Participation - $150 [this level is now full but you can join waiting list, or take audit level]
Audit (Observer) - $75
For actors with previous training.
TO ENROLL: Please send pic/resume or description of training/experience to  info@art-and-audition.com

"We'll say it: monologues are hard. Legendary director and teacher Kohlhaas addresses this stick in the actor's craw from
preparation to execution, demystifying one of the most difficult forms of theatrical audition." —BACKSTAGE


Sunday, January 15
FEARLESS COLD READING
10am-5:30pm

Be an artist in the audition room! This class includes Karen's 10-point cold reading technique that shows you how to
• Apply Practical Aesthetics* acting technique to your cold readings for power and simplicity
• Commit right away—regardless of the amount of prep time
• Prioritize the prep time you do have
• Make strong choices that work for the style and genre of the script
• Connect with your partner/reader
• Have fun listening to and "riding" the script
• Trust your instincts, and engage your sense of play & adventure
• Have FUN with both cold and prepared auditions!
 
We will also work with my signature technique "How to walk in the audition room door" using BEFORE and AFTER
films of participants so you can see the (often huge) difference yourself.

Full Participation - $125 - Limited space available
Audit (Observer) - $65
For actors with previous training.
TO ENROLL: Please send pic/resume or description of training/experience to info@art-and-audition.com

“I had to cold read at an audition the other day with a casting director and she said, 'I can't believe you just got that side 2 minutes ago!' I felt so confident in making bold instinctual choices, so thank you again." —MONICA WEST

"I'm so happy I took your class! I start rehearsals for Les Liaisons Dangereuses at the Booth on Broadway!
I'm so excited and grateful! My entrances and exits were terrific because of you!!!!" —JOY FRANZ

Can't do these, but want to hear about future Seattle/NW workshops?
Join Karen's newsletter list at www.art-and-audition.com/contact-newsletter/
You'll also receive a free chapter from her newest book.

KAREN KOHLHAAS is a director, teacher, filmmaker and author. She's a founding member of New York's Atlantic Theater Company, a senior teacher at the Atlantic Acting School, and a master teacher of the Practical Aesthetics Acting Technique. Since 1993 Karen has also specialized in monologues and audition technique, showing actors how to be artists in the audition room. She has directed multiple mainstage productions at Atlantic, and also at the Public Theatre, Ensemble Studio Theatre, Ars Nova, St. Luke's Theatre, New York Live Arts, Naked Angels, the Culture Project, the 24 Hour Plays on Broadway, regionally, and in the UK and Australia. Karen's books and DVD are
• The Monologue Audition: A Practical Guide for Actors (foreword by David Mamet)
• How to Choose a Monologue for Any Audition
• The Monologue Audition Teacher's Manual
• The Monologue Audition Video (DVD)
All available at www.art-and-audition.com
Karen teaches guest workshops around the country and internationally including theaters, schools, conferences and universities in Atlanta, Austin, Seattle, Dallas, Miami, Mississippi, the UK and Australia. Her short films include two with acclaimed performer/playwright Taylor Mac, and she is currently at work on a feature documentary about Tennessee Williams in Mississippi (www.TennWmsDelta.com).
 
*PRACTICAL AESTHETICS is an acting technique and philosophy developed and taught by playwright David Mamet and actor William H. Macy.
Mamet and Macy taught the technique to New York University students who would become the founders of the Atlantic Theater Company in the 1980's.
The technique emphasizes extreme focus and simplicity, making it a powerful tool when applied both to scenework and to audition technique. Over the last 30 years, Atlantic has become an acclaimed Off-Broadway theater, and the Atlantic Acting School has trained thousands of actors through NYU and in their own programs. Past students and grads include Atlantic company members Clark Gregg, Felicity Huffman, Maggie Kiley, Kristen Johnston and Jason Ritter; and, Rose Byrne, Eddie Cahill, Edwina Findley, Simon Helberg, Jessica Alba, Zoe Lister-Jones, Eloise Mumford, Matt Fox, Elizabeth Olsen, and many more.

 99 
 on: January 04, 2017, 09:05:29 PM 
Started by Agastya Kohli - Last post by Nicole Vernon
My list of 58 (I counted "Funbucket" twice b/c it's improv, but did not count the other double viewings) Yay for all of us!

    Disgraced, Seattle Rep
    Cast of One: Joe Vella, Comedy Sportz
    Titus Andronicus, Seattle Shakespeare Company
    Special Teams & Death and Taxes, The Pocket
    The Marriage of Figaro, Seattle Opera
    In Arabia We’d All Be Kings, Theater Schmeater
    2/19/16 set at Improv Fest
    Mary Stuart, Seattle Opera
    The Duchess of Malfi, GreenStage (participant)
    Brownsville Song (b-side for tray), Seattle Rep
    Parade, Sound Theatre Company
    Tarhun: Legend of the Lighting God, Cabiri
    Funbucket, Jet City Improv
    She Kills Monsters, Tacoma Actor’s Repertory Theatre
    Death and Taxes: The Royal Wedding, The Pocket
    (Mini) Midsummer Night’s Dream, GreenStage presents @ SPL
    Romeo and Juliet, Seattle Immersive
    Funbucket, Jet City Improv
    Death and Taxes, Gloomwisperers, and Porchlandia, filming for Art Zone
    My Name is Asher Lev, New Century Theatre Co
    Stupid F*cking Bird, ACT
    The Flying Duchman, Seattle Opera
    Sherlock Holmes and the American Problem, Seattle Rep
    Caligula, Arouet
    Caught, Seattle Public Theatre
    Creature, Theater Schmeater
    What If, Jet City Improv
    Stranded, a staged reading, The Pocket
    9 Circles, Strawberry Theatre Workshop
    Speed the Plow, Theater 9/12
    Improv Happy Hour @ Ballard Underground
    The Lost Folio, Jet City Improv
    Cymbeline, GreenStage
    Merry Wives of Windsor, GreenStage (participant)
    Twelfth Night, GreenStage Backyard Bard
    Sober Virgin: The Union, The Pocket
    The Last Days of Judas Iscariot, Sound Theatre Co
    Love’s Labours Lost, Wooden O
    The Wicket Adventures of Count Ory, Seattle Opera
    Pericles, GreenStage Backyard Bard
    The Winter’s Tale, Oregon Shakespeare Festival
    Great Expectations, OSF
    Hamlet, OSF
    One Man, Two Guvnors, Sound Theatre
    14/48 Outdoors 8/26
    Hooded: Or Being Black for Dummies, Theatre Battery
    As You Like It, Whidby Island Shakespeare
    Ghosts, ArtsWest
    A Raisin in the Sun, Seattle Rep
    Trump the King, Theater Schmeater
    On Clover Lane, SPT
    Bull Shark Attack, Salt Lake Acting Company
    Hansel and Gretel, Seattle Opera
    Death and Taxes: Imitation Crab, The Pocket
    Love, Loss, and What I Wore, Big Sofa Productions @ The Pocket (participant)
    Roz and Ray, Seattle Rep
    Veitgone, Seattle Rep
    Austen Translation, Jet City Improv

 100 
 on: January 03, 2017, 09:33:17 AM 
Started by Agastya Kohli - Last post by Alysha Curry
I saw 82 shows. If I saw a show twice, I count it as two shows. Sorry, I do what I want  Wink Tongue

I also made an effort to try to track which shows were easily identifiable as directed or written by women. They are noted with an asterisk.

1. 14/48, ACT
2. King Kirby, Ghost Light
Written by Crystal Skillman* & Fred Van Lente
Directed by Rob Raas-Bergquist
3. Medicine Ball, Seattle Theatre Works
Playwrights: Jennifer Jasper*, Nelle Tankus*, Brent Griffith, Jessica Andrewartha*, JC Pankratz*, Daniel Tarker, Anthony Lee Phillips
Directors: Maggie Carrido Adams*, Michael Ryan Blackwood, Daniel Tarker, Ellen Graham*
4. In Arabia We’d All Be Kings, Theater Schmeater
Playwright: Stephen Adly Guirgis
Director: Julia Griffin*
5. Twelfth Story, Annex
Playwright: Rebecca Goldberg*
Director: Amy Poisson*
6. Weird Romance, StageRight
Music by Alan Menken
Lyrics by David Spencer
Book by Alan Brennert
Director: Brendan Mack
7. Buzzer, ACT
Playwright: Tracey Scott Wilson*
Director: Anita Montgomery*
8. Can’t Talk Right Now, Theatre22
Playwright: Scotto More
Director: Katie McKellar*
9. Blue Paint, Copious Love
Director: Joshua Jon
Playwright: R.H. Tyrrel*
10. Annapurna, Theatre22
Playwright: Sharr White
Director: Julie Beckman*
11. Kings to Controllers, Ghost Light
Playwright: Stacy D. Flood
Director: Jenny Crooks*
12. Kings to Controllers, Ghost Light
Playwright: Stacy D. Flood
Director: Jenny Crooks*
13. Parade, Sound Theatre
Book by Alfred Uhry
Music and Lyrics by Jason Robert Brown
Director: Troy Wageman
14. Romeo & Juliet, Seattle Immersive Theatre
Playwright: William Shakespeare
Director: Emily Penick*
15. Evita, SecondStory Rep
Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Director: Alicia Mendez*
16. Oklahoma, Woodlawn Players
Composer: Richard Rodgers
Lyrics by Oscar Hammerstein
Director: Sarah Stillion*
17. Kings to Controllers, Ghost Light
Playwright: Stacy D. Flood
Director: Jenny Crooks*
18. Assassins, ACT
Book by John Weidman
Music/Lyrics by Stephen Sondheim
Director: John Langs
19. The Other Place, Seattle Public
Playwright: Sharr White
Director: Kelly Kitchens*
20. My Heart is the Drum, Village Theatre
Book by Jennie Redling*
Music and Concept by Phillip Palmer
Lyrics by Stacey Luftig*
Director: Schele Williams*
21. Solid is the New Stripes, Jet City
Creators: Britney Barber* and Mandy Price*
Director: Andrew McMasters
22. Belleville, MAP Theatre
Playwright: Amy Herzog*
Director: Peggy Gannon*
23. The Hat, Gay City Arts
Playwright: Greg Brisendine
Director: Roy Arauz
24. Belleville, MAP Theatre
Playwright: Amy Herzog*
Director: Peggy Gannon*
25. Assassins, ACT
Book by John Weidman
Music/Lyrics by Stephen Sondheim
Director: John Langs
26. Cotton Patch Gospel, Taproot
Tom Key & Russell Treyz, Music & Lyrics by Harry Chapin
Director: Karen Lund*
27. My Name is Asher Lev, NCTC
Playwright: Aaron Posner
Director: Sheila Daniels*
28. Chorestia, Ghost Light
Playwright: Beth Raas-Bergquist*
Directors: Jenifer Ross* and Steven Sterne
29. Becky’s New Car, Phoenix Theatre
Playwright: Steven Dietz
Director: Ted Jaquith
30. Eat Cake, Annex
Playwright: Nelle Tankus*
Director: Catherine Blake Smith*
31. Puny Humans, Annex
Playwrights: Bret Fetzer & Keiko Green*
Director: Gavin Reub
32. Death of a Salesman, ArtsWest
Playwright: Arthur Miller
Director: Matthew Wright
33. Caligula, Arouet
Playwright: Albert Camus
translated by Christopher Williams
Director: Joshua Jon
34. Creature, Theater Schmeater
Playwright: Heidi Schreck*
Director: Emily Harvey*
35. The Little Mermaid, Bainbridge Performing Arts
Music by Alan Menken
Lyrics by Howard Ashman and Glenn Slater
Book by Doug Wright
Director: Joanna Hardie*
36. Hairspray, Albuquerque Little Theatre
Music by Marc Shaiman
Lyrics by Scott Wittman and Marc Shaiman
Book by Mark O’Donnell and Thomas Meehan
Director: Henry Avery
37. 9 Circles, Straw Shop
Playwright: Bill Cain
Director: Greg Carter
38. Hamlet, Wooden O
Playwright: Shakespeare
Director: George Mount
39. Raggedy Ann & Andy, Theater Schmeater
Playwright: Patricia Thackray*
Director: Monica Galarneau*
40. The Crossing, Theater Schmeater
Music and Lyrics by Paul Lewis, Book by Paul Lewis and Carissa Meisner Smit*
Director: Doug Staley
41. The Last Days of Judas Iscariot, Sound Theatre
Playwright: Stephen Adly Guirgis
Director: Teresa Thuman*
42. Siblings Grimm, 14/48
Playwright: Jim Jewell
Director: Shawn Belyea
43. Things you can do, Live! Girls
Playwright: Kristen Palmer*
Director: Meghan Arnette*
44. Daisy, ACT
Playwright: Sean Devine
Director: John Langs
45. Suffering Inc., Pony World
Conceived and directed by Brendan Healy
46. Turn of the Screw, Seattle Immersive
adapted by Jeffrey Hatcher
Director: Beau Prichard
47. Macbeth: The Shakesperiment, Slate Theater (does it have a company?)
Playwright: Shakespeare
Director: Beau Prichard
48. The Fantastic Misadventures of Twisty Shakes, The Libertinis
Playwright: The Ensemble & Marcus Gorman
Directed by: Hattie Hellkat*, Tootsie Spangles*, Woody Shticks, Kiki Penoyer*
49. You Asked for It, Feelings, Dollhouse, Ghost Light
50. Girl, Annex
Devised by the ensemble (women)*
Director: Mary Hubert*
51. Do It For Umma, Theatre Off Jackson
Playwright: Seayoung Yim*
Director: Sara Porkalob*
52. Terra Incognita, Annex
Playwright: Benjamin Benne
Director: Pilar O’Connell*
53. One Man Two Guvnors, Sound Theatre
Playwright: Richard Bean
Director: Ken Michels
54. 14/48 Outdoors, 14/48
55. Duels, Amador/Stokes
Playwright: Nick Stokes
Director: José Amador
56. Songs for a New World, SecondStory Rep
Composer: Jason Robert Brown
Director: Adam Minton
57. Scab, Many Hats Theatre
Playwright: Sheila Callaghan*
Director: Caitlin McCown*
58. Bad Apples, ACT/ArtsWest
Playwright: Jim Leonard
Music by: Beth Thornley* & Rob Cairns
59. Trump the King, or POTUS DRUMPH, Theater Schmeater
Playwright: Nick Edwards & Alfred Jerry
Director: Joel Waage
60. Feelings & Felicity, Feelings Improv/The Pocket
61. Ghosts, ArtsWest
Playwright: Henrik Ibsen
Director: Mathew Wright
62. Revolt. She said. Revolt Again, Washington Ensemble
Playwright: Alice Birch*
Director: Bobbin Ramsey*
63. The Wedding Gift, Forward Flux
Playwright: Chisa Hutchinson*
Director: Wesley Frugé & Pilar O’Connell*
64. Woyzeck, Seattle Theatre Works
Playwright: Georg Büchner & Dan Tarker
Director: Dan Tarker
65. Red Rover, Red Rover Theatre Co
Playwright: John C. Davenport
Director: Pavlina Morris*
66. On Clover Road, Seattle Public Theater
Playwright: Steven Dietz
Director: Kelly Kitchens*
67. The Lost Girls, Annex Theatre
Playwright: Courtney Meaker*
Director: Kaytlin McIntyre*
68. Harvest, Seattle Immersive Theatre
69. Unexpected Wilderness, Annex Theatre
Playwright: Jaryl Draper
Director: Jen Moon*
70. Fly By Night, ReBoot Theatre Co
Conceived by Kim Rosenstock*
Written by Will Connolly, Michael Mitnick, and Kim Rosenstock*
Director: Harry Turpin
Music Director: Joel Kurzynski
71. Spontaneous Human Combustion, Ghost Light Theatricals
72. Big Bad, Ghost Light Theatrics
created by DangerSwitch!*
Director: Eddie DeHais*
73. The Big Meal, New Century
Playwright: Dan LeFranc
Director: Makaela Pollock*
74. The Pride, Theatre22
Playwright: Alexi Kaye Campbell
Director: Corey McDaniel
75. Christmastown, Seattle Public
Playwright: Wayne Rawley
Director: Anita Montgomery*
76. Controlled Burn, MonoMyth
Playwright: Lojo Simon*
Director: Cady Smola*
77. The Little Mermaid, 5th Ave Theatre
Music by Alan Menken
Lyrics by Howard Ashman & Glenn Slater
Book by Doug Wright
Directed by Glenn Casale
78. Austen Translation, Jet City Improv
Created and directed by Andrew McMasters
79. Short Shorts, Parley Productions
80. The Untitled Play About Art School, Copious Love
Playwright: Nelle Tankus*
Director: L. Nicol Cabe*
81. He Sees You When You’re Sleeping, Blood Squad
82. Krampus, Seattle Immersive
Playwright: Kelleen Conway Blanchard*
Director: Paul Thomas 

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