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 on: August 29, 2017, 04:33:31 PM 
Started by Tom Smith - Last post by Tom Smith
Pacific Lutheran University Theatre and Dance in Tacoma is seeking a guest director designer for the musical Love's Labour's Lost - songs by Michael Friedman, book adapted by Alex Timbers.  Rehearsals begin February 4 with opening on March 9.  Rehearsals are Sunday-Thursdays, 6-10pm.  Director will work with resident design team, music director and choreographer.  Auditions will be held in November 29.  Pay is $2,500.

If interested, please email a cover letter and directing resume by September 17 to:
Tom Smith, Artistic Director

 on: August 29, 2017, 04:23:31 PM 
Started by Tom Smith - Last post by Tom Smith
Pacific Lutheran University Theatre and Dance in Tacoma is seeking a guest lighting designer for our annual dance concert: Dance 2018: Storytelling.  Performances are April 20-21.  Designer would work with student choreographers and Dance professor to design performance lighting for approximately 12 dance pieces.  Designer would also manage a student lighting crew to execute the designs.  Pay is $1,000.

If interested, please email a cover letter and lighting design resume by September 30 to:
Tom Smith, Artistic Director

 on: August 17, 2017, 02:25:51 PM 
Started by Jasmine Joshua - Last post by Jasmine Joshua
Break in. Brush up. Try something new!

Reboot Theatre Company is proud to unveil Reboot U, a series of introductory performance and audition classes aimed at attracting new people to the Seattle theatre talent pool and also helping people wanting to reboot themselves as artists. (Wanna try a monologue/song/scene “not written for you”? Let’s work on it together!) For ages 16+

Sign up for Working with Text, Song Selection, or Intro to Musical Theatre Dance individually ($25 each), or sign up for the series and gain the chance to participate in our audition panel ($75 for four)!


Class #1: Working with Text with Scot Charles Anderson

10am-12pm September 9th

Working with Text is a workshop run by NY Director Scot Charles Anderson where students can bring prepared monologues or choose from cold readings. Learn the basics of breaking down a monologue into beats, character motivation, and specifying intention. Don’t know any monologues? That’s okay! We’ll have some print outs of text to work with as well.

Reboot Theatre Company’s mission is to test established works in nontraditional ways, so we’d also like to encourage venerable theatre makers to bring material that they might not normally think of auditioning with. Let’s work on it together!

Class #2: Song Selection with Angela Snyder

10am-12pm September 16th

Song Selection with Angela is an introductory class about choosing a song for a musical theatre audition. Learn how to choose appropriate material for your audition, cut a song according to requirement, and how to tell a story through song. Students should bring a song that they’d like to or already have auditioned with and prepare to work on it in class. Accompanist will be provided.

Been around the scene and want to try out a song that “isn’t your type”?  That works, too!

Class #3: Intro to Musical Theatre Dance with Harry Turpin

10am-12pm September 23rd

Be put through your paces with Intro to Musical Theatre Dance led by award-winning director and choreographer Harry Turpin! Learn basic dance vocabulary so you can walk into your next dance call with confidence. Students will be learning a simple dance combo and should wear clothes that don’t constrict their movement and either jazz shoes or shoes that are comfortable to leap, twirl, and chasse in! (Don’t know that last word? Better get to class!)

Class #4: Audition Panel with Scot Charles Anderson, Aimee Hong, Joanna Barnebey, Jasmine Joshua, Harry Turpin

10am-1pm September 30th

Take all you’ve learned and put it to test — a panel of local directors and music directors will watch your audition and provide both in-person and written advice and critique that you can work on at home. Panelists include NY director Scot Charles Anderson (local: ArtsWest, Showtunes, Seattle Musical Theatre), local genius music director Aimee Hong (Sound Theatre Company, Renton Civic, Bainbridge Performing Arts, SecondStory), Reboot Artistic Director Jasmine Joshua, and award-winning director Harry Turpin (Reboot, Seattle Musical Theatre), and more!

Purchase the series for the opportunity for participate in our audition panel!

**Class #4 is only available to students who have purchased the whole series. No drop-ins for the Audition Panel.**

Theatre4, 4th Floor of the Armory at the Seattle Center

$25 per class or $75 for all four. No drop-ins for the September 30th Audition Panel. Need-based financial assistance is available.

 on: August 17, 2017, 02:01:26 PM 
Started by Janessa Jayne Styck - Last post by Janessa Jayne Styck
I have 2 rooms for rent in Magnolia.  Clean home just blocks away from the Dravus/15th intersection.

$700/per month + utilities for each room

Contact me for more details:

 on: August 14, 2017, 08:44:58 AM 
Started by Jim Kleinbeck - Last post by Jim Kleinbeck
The Auburn Community Players are Looking for qualified, seasoned Directors for our 2017 - 2018 Season. The two shows we are looking for directors for are Scrooge The Musical December 8 - 18, 2017 and Shrek The Musical June 1 - 17, 2018. If you are interested please send a resume to Jim Kleinbeck @

Directing for Auburn Community Players. $1500.00 stipend (Incentives of up to an additional $2000.00)
Directors Duties.

1.   Rehearsal are  Monday – Thursday  usually  6:30 – 9:30 PM (some Saturdays)
2.   Set up and run the audition process along with the production team
3.   Cast show with productions teams input.
4.   Come up with the vison of the Show..
a.   Work with set builder, lighting & sound, costumer, set painter, and props (and anyone else on the production team) .
5.   If you have people that you want to work with (Music Director, Choreographer, stage manager,  etc. ) I encourage you to bring them along. If not we have      some folks to pick from.
6.   You’re in charge of all aspects of the show, but will have the help of the production team.
7.   Set up a schedule with the producer  and work with the stage manager to keep it up to date.
8.   Run tech week.
9.   Since this more of a Community Theater feel the director is usually present at most of the shows if not all of them. 

 on: August 10, 2017, 11:25:43 AM 
Started by Deirdre McCollom Hadlock - Last post by Deirdre McCollom Hadlock

This is a full time, exempt position. Salary range is $35,000-$40,000 DOE,
includes employee health benefits, generous vacation, and sick-leave.
TD is eligible for additional lighting and set design contracts for an additional per-show stipend.
BPA encourages creative participation in productions as interested.

Please see the link below to the Position Description which outlines the duties and responsibilities of the Technical Director of Bainbridge Performing Arts (“BPA”), a non-profit community organization. The Technical Director will strengthen the stewardship-based culture of BPA and further its mission by working directly with volunteers and stipend-eligible designers, BPA staff, and other committees as required for projects designed to support the organization.

To apply, please email the following materials to 1. Cover letter that addresses your interest in a community, volunteer-based performing arts center; 2) Resume; 3) Attachments or Web link to portfolio photos that demonstrate your craftsmanship
Applications will be considered until the position is filled.

BPA is a 501 (c)(3) organization and non-equity performance center. For more information about BPA and our programs, please visit

 on: August 07, 2017, 11:21:09 AM 
Started by Elizabeth Ellis - Last post by Elizabeth Ellis
Welcome to the basics! This workshop will provide a foundation for actors who would like to learn the "nuts and bolts" of the craft. Using a variety of techniques with practical application to scenes and monologues this class is perfect for actors of all levels, from those with little or no experience to more experienced actors who want to brush up on the basics.

Star of stage, television and screen, Dinah Manoff received a Tony Award in 1980 as Best Featured Actress for her performance in the Broadway production of Neil Simon’s I Ought To Be In Pictures. A regular on the TV series Soap, she played “Pink Lady Marty Marachino” in Grease. Manoff has over 30 years of experience acting, directing and casting.

In part two of the session Dinah uses creative exercises and improvisation to teach you how to build believable characters; join us for a fun, creative way to express yourself in a safe and intimate environment. Visit BPA's website to learn how to register.

Class Meets September 10 & 17
Sundays from 10:00 a.m. - 4:00 p.m.
@Bainbridge Performing Arts, a 5 minute walk from the ferry terminal.

Tuition: $225

Read an article about adult class offerings at BPA here.

 on: August 06, 2017, 05:24:35 PM 
Started by Hjalmer Anderson - Last post by Hjalmer Anderson
The Woodinville Repertory Theatre is seeking a stage manager for our October production of Neil Simon’s California Suite.

Rehearsals: start on Sept 17 and rehearse 4 to 5 evenings a week (rehearsals are at our performance site of Denali Slab and Tile Denali Slab & Tile Studio 16120 Woodinville Redmond Road NE, Suite 12 Woodinville, WA 98072 (Located behind Venetian Stone Works)

Performances: October 6-8, October 13-15; October 20 (Friday); October 22 (Sunday); October 26 (Thursday); October 27 (Friday) and Sunday, October 29, 2017 Thursday, Friday and Saturday shows at 7:30 p.m. Sundays at 2 p.m.

Show Location: Tile Denali Slab & Tile Studio 16120 Woodinville Redmond Road NE, Suite 12 Woodinville, WA 98072 (Located behind Venetian Stone Works)

What is the Woodinville Repertory Theatre:
Founded in 1998 by Peg Phillips (of TV’s “Northern Exposure“), Woodinville Repertory Theatre is a semi professional theater company in Woodinville, Washington. The company is dedicated to producing quality theater to appeal to audiences from the entire Puget Sound region.

Web site:

There will be a small stipend.

Please send a resume and/or summary of experience to:
Email if you have any questions:
Woodinville Repertory Story Link:

 on: August 02, 2017, 02:07:06 PM 
Started by Julia Nardin - Last post by Julia Nardin
Master Class: The Art of Auditioning
The Art of Auditioning is a masterclass taught by Seattle Public's esteemed co-producing artistic director Annie Lareau. This class will provide you tools to zero in on your audition technique and help you revitalize your audition repertoire.

Cost: $300
Restrictions: Open to students ages 18+
Class Times: Mondays, 7:00-9:00pm
Dates: September 11- November 13

To register, visit us at:

 on: July 29, 2017, 09:31:35 PM 
Started by Anna Richardson - Last post by Anna Richardson
Have you ever done an improv scene and thought "I really like that character" or "This could work well as a sketch"?  Or have you read a sketch and thought "I wonder where this scene could go if I improvised it"?  Interested in sketch and improvisation?  My name is Adam Hegg, the artistic director and founder of Turbo Turkey Sketch Comedy and Improv. I will be teaching a workshop Saturday, August 5th in Studio E at T.P.S from 3 pm to 5pm.   Both experienced performers and amateurs welcome.  It is a donation/pay what you can.  If interested, please e-mail--   

Turbo Turkey has been doing improv and sketch comedy since 2009, having performed at Burien Actors Theatre (BAT), Stone Soup Theatre, Eclectic Theater, Ballard Underground and the Pocket Theater.  Turbo Turkey has been a part of Improv and Sketch Month, as well as Sketchfest.  They also have written a few plays.   Hope to see you there!

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