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 11 
 on: December 28, 2016, 11:38:06 AM 
Started by Cathy Herzog - Last post by Cathy Herzog
Please join MonoMyth for our first short play festival March 10-11 at the Pocket Theatre in Greenwood. We plan to explore the diversity of our community and what the impact of the recent election has been on the lives of individuals who feel their rights infringed upon and freedoms stifled.

We are looking for play submissions from a myriad of genres - comedy, drama and everything in between. Length should be anywhere between 2 minute monologues to 30 minute one-acts. We will be looking to put on 9-10 shows during the two day run. Shows should be for casts of no more than 3, and require minimal set and costumes. While there is no limit on subject matter, please avoid need for any mess on stage (the Pocket does not allow glitter, stage blood, or anything similar).

Please visit www.monomyththeatre.com to submit your script for consideration.



We are also looking for directors for each of our short plays. We are looking for directors of all levels of experience and all walks of life. There will be one director per short play, so 9-10 directors total. The scripts will be assigned in early February, and you will be responsible for casting your show and going through the rehearsal process. There will be 3 sponsored rehearsals at TPS during the process - the first rehearsal, the middle of the rehearsal process and right before we open. All these will be full show rehearsals with all shows able to work together in a group.

Please review the below questions and send an email with your answers and your resume (if you have one!) to monomyththeatre@gmail.com. If you do not have a resume, please just send an email with your experience, etc.

-What is your background in the arts?

-What kind of play would you like to mount?

-What is important to you regarding the stories you want to tell?

-Do you have any conflicts in the months of February and March that would conflict with potential groups rehearsals? (We will be scheduling these rehearsals around all directors’ personal schedules.)


If you are interested in acting - please send us an email and let us know! Directors will be casting their own shows, but once our directors are chosen we will share the list of actors who are interested for first consideration.


There is no monetary compensation for this festival. However - all the resources of MonoMyth Theatre will be at your disposal. If you would like any of the staff to attend a rehearsal, or if you have questions, or if you just want to meet for coffee and discuss your show, we will be available. This showcase is to give you the chance and the platform to tell the story you want to tell - whether you are a writer, a director, or an actor. MonoMyth Theatre strongly encourages POC and LGBTQ writers and directors to apply.


Deadline for written submissions and director applications is January 25. Scripts and directors will be chosen within the next week, with the first group read through/rehearsal at the beginning of February. Please visit www.monomyththeatre.com or email us monomyththeatre@gmail.com with any questions - we look forward to reviewing your submissions and getting the chance to work with you!

 12 
 on: December 21, 2016, 04:56:16 PM 
Started by TPS Admin - Last post by TPS Admin
Two Seattle Audition Workshops at Theater Puget Sound
with Atlantic Theater Co. director, teacher and author Karen Kohlhaas (bio below)

Saturday, January 14, 10am-5:30pm
MONOLOGUE MASTER CLASS

Prepare for TPS and other monologue auditions with Karen's complete technique, used by actors and teachers all over the USA:
In this intensive one-day workshop you will learn to love monologues by learning to:

• DIRECT your monologues with clear staging that's fun to do and to watch
• ACT your monologues as truthfully with 'no one' as you can with a live partner
• AUDITION with great showmanship in your entrances, exits, and transitions

Actors will learn the entire technique by working on and finishing one monologue of your choice.
You will get feedback on monologue choices, and will do prep work from Karen's book in advance of the workshop.

"We'll say it: monologues are hard. Legendary director and teacher Kohlhaas addresses this stick in the actor's craw from
preparation to execution, demystifying one of the most difficult forms of theatrical audition." —BACKSTAGE


Sunday, January 15, 10am-5:30pm
FEARLESS COLD READING

Be an artist in the audition room! This class includes Karen's 10-point cold reading technique that shows you how to

• Commit right away—regardless of the amount of prep time
• Prioritize the prep time you do have
• Make strong choices that work for the style and genre of the script
• Connect with your partner/reader
• Have fun listening to and "riding" the script
• Trust your instincts, and engage your sense of play & adventure
• Have FUN with both cold and prepared auditions!
 
We will also work with my signature technique "How to walk in the audition room door" using BEFORE and AFTER
films of participants so you can see the (often huge) difference yourself.

“I had to cold read at an audition the other day with a casting director and she said, 'I can't believe you just got that side 2 minutes ago!'
I felt so confident in making bold instinctual choices, so thank you again." —Monica West

"I'm so happy I took your class! I start rehearsals for Les Liaisons Dangereuses at the Booth on Broadway!
I'm so excited and grateful! My entrances and exits were terrific because of you!!!!" —Joy Franz

For actors with previous training. TO ENROLL: Please email info@art-and-audition.com

Want to hear about future Seattle/NW workshops?
Join Karen's newsletter list at www.art-and-audition.com/contact-newsletter/
You'll also receive a free chapter from her newest book.

Karen Kohlhaas is a director, teacher, filmmaker and author. She's a founding member of the Atlantic Theater Company, a senior teacher at the Atlantic Acting School, and a master teacher of the Practical Aesthetics Acting Technique. Since 1993 Karen has also specialized in monologues and audition technique, showing actors how to be artists in the audition room. She has directed multiple mainstage productions at Atlantic, and also at the Public Theatre, Ensemble Studio Theatre, Ars Nova, St. Luke's Theatre, New York Live Arts, Naked Angels, the Culture Project, the 24 Hour Plays on Broadway, regionally, and in the UK and Australia. Karen's books and DVD are
• The Monologue Audition: A Practical Guide for Actors (foreword by David Mamet)
• How to Choose a Monologue for Any Audition
• The Monologue Audition Teacher's Manual
• The Monologue Audition Video (DVD)
All available at www.art-and-audition.com
Karen teaches guest workshops around the country and internationally including theaters, schools, conferences and universities in Atlanta, Austin, Seattle, Dallas, Miami, Mississippi, the UK and Australia. Her short films include two with acclaimed performer/playwright Taylor Mac, and she is currently at work on a feature documentary about Tennessee Williams in Mississippi (www.TennWmsDelta.com).

 13 
 on: December 18, 2016, 05:37:51 PM 
Started by Darren Johnson - Last post by Darren Johnson
Fantastic.Z Theatre is hiring an Assistant Stage Manager for our production of Bad Panda written by Megan Gogerty, directed by Kate Arnold Huisentruit, and produced in association with Theatre Off Jackson.  Rehearsals begin February 5th.  Bad Panda performs March 23rd - April 8th. ASM position is compensated in the form of a $50 stipend.

For more information or to schedule an interview, contact Producing Artistic Director Kyle Baiz at: info@fantasticz.org

 14 
 on: December 15, 2016, 09:39:07 PM 
Started by Jordyn Meeker - Last post by Jordyn Meeker
Looking to fill a position for a director for an upcoming 10 day children's musical theatre production in South Everett.
This is a contract position: $18-$25 per hour. Time: 3:30-6:30pm, last week of January and first weekend in February. Monday through Friday.

Prefer someone with experience working with children and someone who has the chops to direct, lead music (with tracks, it is an MTI KIDS production!) and teach basic choreography. It is a program designed to encourage children to stay connected with drama their entire lives and while we typically put on fantastic shows, it is inevitably about fun and enjoyment. We produce, provide costumes, sets, etc.

We are always looking to hire teachers for our programs and would love to add you to our list!

Please send an email and resume to:
jordyn@edgeartsanddance.com

Thanks!

 15 
 on: December 09, 2016, 02:16:57 PM 
Started by Abigail Pishaw - Last post by Abigail Pishaw
The Taproot and Sanctuary Liaison is an employee of Taproot Theatre Company. Their job can be broken into two categories: sound mixer and building supervisor.

Sound Mixer: Whoever holds this position will have sufficient skills (determined by TTC) to set-up, run and teardown the sound equipment necessary for each service. This includes, but is not exclusive to: setting up monitors and microphones and patching them into the sound board, mixing the band for a clear sound both in monitors and in the house, running the light board, setting up the fold-up screen, setting up the projector and running playback music. The liaison will have sufficient knowledge (determined by TTC) of Taproot’s sound system including how to patch monitors and troubleshoot feedback. They will be in charge of the complete sound set-up of Taproot and Sanctuary equipment including monitors, microphones and music stands as well as their tear-down; they are not required to handle Sanctuary’s gear outside of the sound set-up including the slide computer.

Building Supervisor: The liaison is hired by Taproot for the purpose of supervising the building. This supervision includes, but is not exclusive to: turning on/off lights, alarming the building, unlocking doors, watching for potential damage to scenery, props and other TTC equipment and enforcing the rules and regulations stated in the contract between TTC and Sanctuary. As TTC’s building supervisor we expect the liaison to help Sanctuary problem solve or troubleshoot any situation that might arise related to their service that seemingly conflicts with TTC’s rules (i.e. placement of candles, blocking fire exits, artistic expressions); ultimately the attitude of the liaison is to mediate rather then dictate, except for reasons of safety to any person, equipment or production item in which case if no compromise can be made, the liaison has full authority to speak on behalf of TTC. As building supervisor, the liaison is not responsible to set-up, teardown or clean up any Sanctuary equipment (including nursery items or hospitality); however, the liaison is ultimately responsible for leaving the building exactly the way it was found. The liaison will write a weekly report that itemizes the events of the day as well as any situation, compromise or issue that arose that day.

This position is Sundays from 6am-12pm unless otherwise arranged (alternating Sundays with the other Liasion). Pay is $16.67 per hour. The position has two supervisors: Technical Director and Production Stage Manager. Liasion should be comfortable in a religious environment.

If interested, please submit a resume to Production Stage Manager, Abigail Pishaw at abigailp@taproottheatre.org.

Those who apply before December 18 will be given priority consideration.

 16 
 on: December 06, 2016, 12:38:57 PM 
Started by Jason Sharp - Last post by Jason Sharp
Department Cornish Playhouse
Reports to External Rentals Supervisor
Supervises Work-Study Students, Interns and Volunteers
Pay Grade Non-exempt, On Call

Compensation $20/hour

Purpose:

To ensure the safety and comfort of patrons,maintain a smooth functioning, professional, customer service oriented Front of House for Cornish Playhouse productions and events, act as a liaison between Stage Management, Ticket Office and the Front of House, and oversee volunteer usher program on the day of event.

Job Responsibilities:

  • Manage front of house operations.
    Supervise volunteer ushers.
    Provide detailed House Manager and Concessions reports following each performance.
    Assist with monitoring equipment inventory.
    Monitor and maintain cleanliness of public areas, including the theatre house, all areas of the lobby, and courtyard.
    Coordinate with the Stage Manager and Ticket Office to ensure smooth operation of the Front of House during performances and events.
    Oversee the seating of late patrons and provide assistance to patrons with concerns  regarding access and ADA compliance.
    Resolve patron concerns and, when appropriate, refer patrons to FOH and Rentals Supervisor.
    Assist FOH and Rentals Supervisor in facilitating front of house coordination to prepare for and facilitate opening nights, special events, post play discussions, “Inti-nights” and other lobby uses.
    Maintain and distribute Assisted Listening Devices to patrons, reporting problems to Technical Supervisor as needed.
    Maintain security of the building before, during and after the show, working with Cornish and Seattle Center when necessary.
    Promptly inform Cornish Playhouse Manager of needed facility repairs.
    Confidently respond to emergency situations involving patrons and/or the facility.
    Assist marketing office in coordinating program use and special collateral (program inserts) for distribution to patrons.
    Monitor and recycle used collateral.
    Assist with projects as assigned.

Application Procedures:

For consideration please submit cover letter, resume to: hr@cornish.edu

Equal Opportunity Statement:

Cornish College of the Arts is an equal opportunity employer intent on enriching the diversity of its faculty, staff, and students. Our goal is to create an intercultural learning environment comprised of people with varied experiences and perspectives. We strongly encourage applications from members of underrepresented groups for all open positions.

 17 
 on: December 05, 2016, 02:11:01 PM 
Started by TPS Admin - Last post by TPS Admin
Macha Monkey is seeking a Managing Director to oversee, implement and ensure sustainability of the company’s operations, finances and community support. The Managing Director works with a committed Board of Directors to ensure the programmatic and operational integrity, sustainability, and excellence of the company. The Managing Director works in partnership with the Artistic Director as peers in the organizational structure. The role will begin as salaried part time with growth potential.

Job responsibilities:

  • Responsible for financial management of the company, including creating an annual budget, bookkeeping, and ensuring tax compliance.
  • Secure grant funding, either personally or through management of a contractor.
  • Work closely with Artistic Director to allocate production budgets, manage audience experience, and cultivate donors.
  • Support artistic programming by booking spaces and maintaining an event calendar.
  • Use Salesforce/PatronManager to maintain contact list and provide reporting.
  • Respond to patron and donor inquiries.
  • Provide support to the Board of Directors, including generating reports and liaising with other staff.
  • Maximum 20 hours/month.


The ideal candidate will:

  • Possess experience in a non-profit arts management/leadership position, with demonstrated experience in fundraising, grant writing and marketing, or equivalent education.
  • Possess strong budgeting and financial management skills.
  • Demonstrate capacity to lead, manage, motivate and inspire the theatre’s team.
  • Have experience in marketing, advertising and public relations activities, including driving growth in ticket sales and associated revenues.
  • Exhibit excellent interpersonal leadership, and communications (both written and oral) skills.
  • Demonstrate a strong work ethic, stamina and passion.

Compensation:

$15 hourly. Position has the potential to grow.

Who we are:

Founded in 2001, Monkey Productions is a non-profit arts organization showcasing exceptional artists, delivering innovative education programs, and staging new theatrical works which feature strong female characters.

To apply, please send a resume and cover letter to machamonkeyplays@gmail.com.

 18 
 on: December 02, 2016, 04:06:08 PM 
Started by Robert Harkins - Last post by Robert Harkins
Latino Theatre Projects is seeking an experienced graphics designer to create the poster and other marketing tools for our upcoming production. LTP prides itself in having striking promotional materials. Check out some of our past graphics on our Facebook page or website: www.latinotheatreprojects.org. If you are interested in joining us, please email robert@latinotheatreprojects.org. Please include a peek at some of your work in PDF or JPG.

 19 
 on: November 29, 2016, 12:57:47 PM 
Started by Cathy Herzog - Last post by Cathy Herzog
MonoMyth presents its first show in the Seattle area - Controlled Burn by Lojo Simon.

Running at the Slate theatre Dec 1-3 and 8-10 at 7:30pm.

Tickets are available via Brown Paper Tickets: http://www.brownpapertickets.com/event/2708580
TPS discount available - please use discount code CONTROLLEDBURN.

We hope to see you there!

 20 
 on: November 28, 2016, 11:24:40 AM 
Started by Jamie Lilly - Last post by Jamie Lilly
As you may be aware, Village Theatre has an exciting new program this year called The Beta Series, which offers new musical writers the chance to see their show in a developmental production with increased opportunities for rewrites. As we planned this Series, it was important to us to have an industry price to allow our local performance community to come and be a part of the process. As such, we are offering $20 industry tickets for advance sales, and $15 industry rush tickets (30 minutes prior to the show).
 
The first show of the series, Cubamor, opens on Friday, December 2 and runs for three weeks of performances. You may view more information about the show at: http://villagetheatre.org/issaquah/beta-series-cubamor.php
 
To purchase industry tickets, please call the Box Office at (425) 392-2202 or visit us at VillageTheatre.org and use the coupon code CROSSROADS (case-sensitive). Please also consider helping us spread the word about this discount to other people in the theatre industry.

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