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Cabaret (1998 Version)
Pullman.vs.Paxton Productions


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  • Cabaret (1998 Version)
  • Pullman.vs.Paxton Productions
  • Non-Union Theater
  • Theater or Stage
  • Non-Union; Other Union
  • Seattle, WA
  • Project Begins: Aug 31, 2018
  • Project Ends: Dec 9, 2018
  • Project Website

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  • Contact Person: Georgina Spelvin/Dustin Schisler
  • Primary Phone: 7184193101
  • Email
  • Website


    Prefered method of submission: Email

Synopsis: Based on Christopher Isherwood's The Berlin Stories, the musical is the story of Cliff, an American writer who comes to Berlin at the dawn of the Hitler era. He falls in with the denizens of the decadent Kit Kat Klub, and takes on the club's former star attraction, Sally Bowles, as his roommate. As he struggles to write a novel, he witnesses the blindness and self-deception of a group of people who allow Nazism to gradually take control while they are emotionally and spiritually "fast asleep."

PVP’s Vision: Pullman.vs.Paxton is a 501c3 non-profit group of musicians, actors, and event producers striving to make kickass musical theatre with limited funds. In addition to putting on a quality show, we make sure to donate a large portion of our proceeds from each production to LGBTQIA and LGBTQIA ally non-profit agencies such as Peace for the Streets by Kids from the Streets, Gay City Health Project, It Gets Better Project, Freedom to Marry, and Human Rights Campaign.

Never heard of us?

Most recently, we had a sold out run of Heathers The Musical at the Erickson Theatre Off-Broadway. Prior to PVP from 2011-2015, we worked as the Executive and Artistic Directors of Chandelier Productions. In that time, our shows raised needed funds for many local and national LGBT organizations. We have had a lot of success with “one-night only” or short run productions in music venues and non-traditional theater spaces in Seattle including “The Rocky Horror Show” at the Showbox Market (raising over $8,000 for Gay City) and a sell-out performance of “Hedwig & The Angry Inch” at The Crocodile in 2011, where in conjunction with Rudy’s Barbershop, The Stranger, and Cupcake Royale, we raised more than $10,000 for IGB Project.

Performances: November 29 – December 9, 2018 @ The Yaw Theater in Georgetown
Rehearsal Period: August 31-December 9 (Friday evenings and Sunday afternoons – some Monday evenings may also be required)


Character Breakdown / Project Needs
**Most roles contain some sexually explicit moments. Actors need to be comfortable with body-to-body contact while dancing and intimate moments between characters.
**Please also be aware that the themes in this show are very heavy and can potentially be triggering.**

Master of Ceremonies (Emcee): **All gender identities, sizes, shapes, and ethnicities welcome and celebrated** The host at the Kit Kat Klub. Excellent with both drama and comedy. Must be comfortable speaking/interacting directly to the audience/breaking the 4th wall. Speaks with a German accent.

Sally Bowles: This role has been pre-cast.

Clifford (Cliff) Bradshaw: (This character is male identified) An American writer traveling through Berlin. Loosely based on the author Christopher Isherwood.

Ernst Ludwig: (This character is male identified) A German man who befriends Cliff when he arrives in Berlin, later revealed to be a Nazi. Charming and friendly demeanor. Speaks with a German accent.

Fräulein Schneider: (This character is female identified) An older woman who runs the boarding house that Cliff and Sally live in. Speaks with a German accent.

Fräulein Kost (doubles as Kit Kat Dancer, Fritzie): **All gender identities, sizes, shapes, and ethnicities welcome and celebrated** A prostitute who rents in Fraulein Schneider's boarding house. Also one of the Kit Kat Club performers. Speaks with a German accent.

Herr Schultz: (This character is male identified) An older Jewish fruit shop owner who falls in love with Fraulein Schneider. Speaks with a German accent.

The Kit Kat Club Ensemble: **All gender identities, sizes, shapes, and ethnicities welcome and celebrated** Must comfortable with your body and with physical interaction with other actors.


Audition/Interview Dates:
Auditions by appointment only: Monday, June 25 or Wednesday, June 27

Callbacks or second audition/interview?
Saturday, June 30

Audition Requirements:
Please send a headshot and resume. We also welcome previous performance/vocal recordings if possible. For the audition, you are asked to prepare one verse and chorus from a character appropriate song (to be performed a cappella) and one of the character monologues linked below.

Sides/Script download:

Monetary compensation:
A small stipend is available

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