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REBATEnsemble Theatre Group: As You Like It
REBATEnsemble Theatre Group

  • REBATEnsemble Theatre Group: As You Like It
  • REBATEnsemble Theatre Group
  • Non-Union Theater
  • Theater or Stage
  • Non-Union; Other Union
  • Seattle , WA
  • Project Begins: Jun 25, 2018
  • Project Ends: Aug 26, 2018
  • Project Website


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  • Contact Person: Cameron Duckett
  • Email
  • Website


  • APPOINTMENT REQUIRED

    Prefered method of submission: Email

    Audition Location:
    Address for audition will be given after time slot is confirmed.

    Submission instructions:
    Email headshot/résumé with preferred audition time slot

REBATEnsemble Theatre Group is kicking off their 9th season with William Shakespeare's, "As You Like It" directed by Megan Brewer!

Auditions will be on Friday, May 18th from 4:30-8PM. Please email preferred time for audition (auditions will be 10 minutes per slot).

 

Other details:
Please EMAIL headshot/résumé to: rebatensemblecasting@gmail.com along with preferred time for audition (10 min. per audition slot).

 

Character Breakdown / Project Needs
Casting requirements:

Shakespeare experience not a requirement! Just a willingness to learn.

Actors interested in the role of Aimens will be asked to sing and/or play an instrument during callbacks. More information will be given upon emailed inquiry for the role.

Please prepare two contrasting monologues, both by Shakespeare or his contemporaries (Marlowe, Jonson, etc): one in verse and one in either prose or verse, each 60-90 seconds. For either, you are welcome to use one of the pre-selected monologues below:

Portia, Merchant of Venice III.ii (verse)

You see me, Lord Bassanio, where I stand,
Such as I am: though for myself alone
I would not be ambitious in my wish,
To wish myself much better; yet, for you
I would be trebled twenty times myself;
A thousand times more fair, ten thousand times more rich;
That only to stand high in your account,
I might in virtue, beauties, livings, friends,
Exceed account; but the full sum of me
Is sum of something, which, to term in gross,
Is an unlesson'd girl, unschool'd, unpractised;
Happy in this, she is not yet so old
But she may learn; happier than this,
She is not bred so dull but she can learn;
Happiest of all is that her gentle spirit
Commits itself to yours to be directed,
As from her lord, her governor, her king.
Myself and what is mine to you and yours
Is now converted: but now I was the lord
Of this fair mansion, master of my servants,
Queen o'er myself: and even now, but now,
This house, these servants and this same myself
Are yours, my lord: I give them with this ring;
Which when you part from, lose, or give away,
Let it presage the ruin of your love
And be my vantage to exclaim on you.

Benvolio, Romeo & Juliet III.i (verse)

Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die

Viola, Twelfth Night II.ii (verse)

I left no ring with her: what means this lady?
Fortune forbid my outside have not charm'd her!
She made good view of me; indeed, so much,
That sure methought her eyes had lost her tongue,
For she did speak in starts distractedly.
She loves me, sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord's ring! why, he sent her none.
I am the man: if it be so, as 'tis,
Poor lady, she were better love a dream.
Disguise, I see, thou art a wickedness,
Wherein the pregnant enemy does much.
How easy is it for the proper-false
In women's waxen hearts to set their forms!
Alas, our frailty is the cause, not we!
For such as we are made of, such we be.
How will this fadge? my master loves her dearly;
And I, poor monster, fond as much on him;
And she, mistaken, seems to dote on me.
What will become of this? As I am man,
My state is desperate for my master's love;
As I am woman,.now alas the day!
What thriftless sighs shall poor Olivia breathe!
O time! thou must untangle this, not I;
It is too hard a knot for me to untie!

Benedick, Much Ado About Nothing II.i (prose)

O, she misused me past the endurance of a block! an oak but with one green leaf on it would have answered her; my very visor began to assume life and scold with her. She told me, not thinking I had been myself, that I was the prince's jester, that I was duller than a great thaw; huddling jest upon jest with such impossible conveyance upon me that I stood like a man at a mark, with a whole army shooting at me. She speaks poniards, and every word stabs: if her breath were as terrible as her terminations, there were no living near her; she would infect to the north star. I would not marry her, though she were endowed with all that Adam bad left him before he transgressed: she would have made Hercules have turned spit, yea, and have cleft his club to make the fire too. Come, talk not of her: you shall find her the infernal Ate in good apparel. I would to God some scholar would conjure her; for certainly, while she is here, a man may live as quiet in hell as in a sanctuary; and people sin upon purpose, because they would go thither; so, indeed, all disquiet, horror and perturbation follows her.

Helena, Midsummer Night’s Dream III.ii (verse)

Lo, she is one of this confederacy!
Now I perceive they have conjoin'd all three
To fashion this false sport, in spite of me.
Injurious Hermia! most ungrateful maid!
Have you conspired, have you with these contrived
To bait me with this foul derision?
Is all the counsel that we two have shared,
The sisters' vows, the hours that we have spent,
When we have chid the hasty-footed time
For parting us,--O, is it all forgot?
All school-days' friendship, childhood innocence?
We, Hermia, like two artificial gods,
Have with our needles created both one flower,
Both on one sampler, sitting on one cushion,
Both warbling of one song, both in one key,
As if our hands, our sides, voices and minds,
Had been incorporate. So we grow together,
Like to a double cherry, seeming parted,
But yet an union in partition;
Two lovely berries moulded on one stem;
So, with two seeming bodies, but one heart;
Two of the first, like coats in heraldry,
Due but to one and crowned with one crest.
And will you rent our ancient love asunder,
To join with men in scorning your poor friend?
It is not friendly, 'tis not maidenly:
Our sex, as well as I, may chide you for it,
Though I alone do feel the injury.


Puck, Midsummer Night’s Dream III.ii (verse)

My mistress with a monster is in love.
Near to her close and consecrated bower,
While she was in her dull and sleeping hour,
A crew of patches, rude mechanicals,
That work for bread upon Athenian stalls,
Were met together to rehearse a play
Intended for great Theseus' nuptial-day.
The shallowest thick-skin of that barren sort,
Who Pyramus presented, in their sport
Forsook his scene and enter'd in a brake
When I did him at this advantage take,
An ass's nole I fixed on his head:
Anon his Thisbe must be answered,
And forth my mimic comes. When they him spy,
As wild geese that the creeping fowler eye,
Or russet-pated choughs, many in sort,
Rising and cawing at the gun's report,
Sever themselves and madly sweep the sky,
So, at his sight, away his fellows fly;
And, at our stamp, here o'er and o'er one falls;
He murder cries and help from Athens calls.
Their sense thus weak, lost with their fears thus strong,
Made senseless things begin to do them wrong;
For briers and thorns at their apparel snatch;
Some sleeves, some hats, from yielders all things catch.
I led them on in this distracted fear,
And left sweet Pyramus translated there:
When in that moment, so it came to pass,
Titania waked and straightway loved an ass.
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Cast List:

Rosalind - 20s, POC, woman

Celia - 20s, POC, woman

Duke Senior/Duke Frederick - 30s+, POC, any gender

Orlando de Boys - 20s/30s, POC, cis or trans man

Aimens/Lord/Priest (Hymen) - any age, any race, any gender

Charles/Jaques - any age, any race, any gender

Phebe/Lord - 20s-30s, white, woman

Audrey/Lord - any age, any race, any gender

Oliver de Boys/Forester -20s/30s, POC, any gender

Le Beau/Silvius - 20s-30s, any race, any gender

Adam/Corin - 40+, any race, any gender

Touchstone - any age,any race, any gender

Actor-singers and actor-musicians are encouraged to audition.

Audition/Interview Dates:
Email for appointment

Callbacks or second audition/interview?
Yes

Audition Requirements:
Casting requirements:
[Actors auditioning for the role of Aimens are asked to bring an instrument if they play and/or be prepared to sing the song in the side (any melody they chose, can be original or a pop melody)]. Please prepare two contrasting monologues, both by Shakespeare or his contemporaries (Marlowe, Jonson, etc): one in verse and one in either prose or verse, each 60-90 seconds. For either, you are welcome to use one of the pre-selected monologues below:

Monetary compensation:
$50 total.

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