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Disney's Beauty & the Beast
Edmonds Driftwood Players

  • Disney's Beauty & the Beast
  • Edmonds Driftwood Players
  • Non-Union Theater
  • Theater or Stage
  • Non-Union; Other Union
  • Edmonds, WA
  • Project Begins: Sep 17, 2017
  • Project Ends: Dec 17, 2017
  • Project Website


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  • Contact Person: Kim Smith
  • Primary Phone: 425.774.9600
  • Email
  • Website
  • Mailing Address:

    PO Box 385
    Edmonds, WA 98020


    APPOINTMENT REQUIRED

    Prefered method of submission: Other

    Audition Location:
    Please fill out the online audition form and make an appointment through the online link: https://edmondsdriftwoodplayers.org/participate/auditions/

    Submission instructions:
    Please fill out the online audition application and make an appointment through the online link. Please do not contact the office. https://edmondsdriftwoodplayers.org/participate/auditions/

Production Details

Edmonds Driftwood Players is looking for actors for our season 2017/18 holiday show, Disney’s Beauty and the Beast. The performance opens Friday, November 24 and closes Sunday, December 17, 2017. Two Saturdays include a matinee performance (2pm).

Auditions will be held at 200 Dayton Street, Edmonds, WA 98020 in the Driftwood Rehearsal Annex on 9/17 and 9/18. Callbacks will be held 9/23 and 9/24.

Produced by Katie Soule and Rita Baxter, this show is directed by Andrew Coopman with music direction by Mark Press and choreography by Molly Hall.

Rehearsal schedule will be finalized after casting but will include weekday evenings and Saturdays in October and November.

 

Character Breakdown / Project Needs
Belle: A vibrant, intelligent girl with beauty, who wants more out of the life than an ordinary existence. She is optimistic, fun-loving, caring, and eager to experience life.
Vocal range top: F5;Vocal range bottom: E3

Beast: A Prince transformed into a terrifying beast for his lack of compassion. He is hot-tempered and commanding, but has a warm, loving heart buried far beneath his gruff exterior. Vocal range top: F4; Vocal range bottom: A2

Gaston: The egotistical, ultra-masculine villain determined to marry Belle. He is manipulative yet charming and earnest. Vocal range top: E4; Vocal range bottom: A2

Maurice: Belle’s loving, eccentric father. A child at heart and inventor in his own world. Vocal range top: Db4; Vocal range bottom: Bb2

Cogsworth: A tightly-wound, enchanted mantle clock and the head of the Beast’s household. He is uptight, strict, and punctual but also hard-working, faithful, and thorough. Vocal range top: E4; Vocal range bottom: A2

Mrs. Potts: A warm-hearted, maternal enchanted teapot. She is loyal, caring, and playful. Vocal range top: G5; Vocal range bottom: F#3

Lumiere: A suave, debonair enchanted candelabra. He is a loyal and steadfast servant. Vocal range top: F#4; Vocal range bottom: F#2

Chip: An enchanted teacup and Mrs. Potts’ darling little boy. He is innocent, playful, and bright-eyed. Vocal range top: F5; Vocal range bottom: A3

Babette: A saucy, enchanted feather-duster, and the object of Lumiere’s affections. She is the playful, gorgeous, seductive French maid. Vocal range top: F5; Vocal range bottom: C4

Madame De La Grande Bouche: A former opera diva-turned-enchanted wardrobe. She has a caring, refined, larger than life personality. Vocal range top: D5; Vocal range bottom: C#4

Lefou: Gaston’s bumbling sidekick. He is loyal, energetic, and optimistic, but not quite the brightest guy. Vocal range top: F#4; Vocal range bottom: B2

Monsieur D’arque: The scheming proprietor of the local insane asylum. He is a dark, sinister villain who aides Gaston in his plot to marry Belle. Vocal range top: A4; Vocal range bottom: D3

Ensemble: Wolves; Enchanted Objects; Townspeople

Audition/Interview Dates:
September 17, 18, 19

Callbacks or second audition/interview?
September 23 & 24 by invitation

Audition Requirements:
Each actor must come prepared with the following:
•16 – 32 bars of a song from a Broadway show – accompanist provided. Please bring well-marked sheet music in the key desired.
•one contemporary monologue of actor’s choosing that is one – two minutes in length
•list of conflicts and availability for callbacks, run of rehearsals and performances

Monetary compensation:
travel stipend is provided ($50)

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